In the 11th China Changchun International Ceramics Symposium Appreciation of Works by Japanese Ceramist Komago Tetsutaro——Ancestral Spirits(图文)
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Komago Tetsutaro is a Japanese ceramist who has been engaged in ceramic creation for many years. He has participated in ceramics exhibitions and competitions held in Spain, Lithuania, Russia, Italy, France, and other places for many times. His works have novel ideas and unique techniques.


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Komago Tetsutaro’s Ancestral Spirits stuns viewers with a silence transcending time and space, igniting a profound dialogue between tradition and modernity in contemporary ceramics. As we gaze upon the faintly visible hand-painted patterns, the seemingly abstract brushstrokes reveal themselves as a contemporary interpretation of Eastern philosophies on life and death.


The square form of the vessel challenges the traditional aesthetics of smooth, rounded ceramics. Its four sharp corners serve as the coordinates of history, symbolically pointing to the cyclical flow of life through spring, summer, autumn, and winter. Moreover, this piece subverts the conventional decorative logic of blue-and-white porcelains. What appears to be chaotic brushwork is, in fact, meticulously encoded—each stroke precisely corresponds to the syllables of sacred chants from Japan’s ancestral veneration rituals. As light strikes the piece from different angles, the cobalt-blue patterns refract delicate halos across the pure white porcelain, evoking the ethereal presence of ancestral spirits gliding over its surface. This transformation of auditory symbols into visual language elevates Ancestral Spirits beyond mere craftsmanship, turning it into a tangible spiritual totem.


In his creative notes, Komago Tetsutaro writes, “Ceramics is the art of reviving the memory of clay.” In an era saturated with digital reproduction, Ancestral Spirits stands as a defiant resistance to mechanical replication. Every hand-painted stroke is an unrepeatable mark of existence; each ceramic piece is an irreplaceable spiritual homeland. This commitment to singularity offers contemporary individuals a much-needed anchor against the weightlessness of existence.


Standing before Ancestral Spirits, we witness a dialogue between clay and fire and the genetic code of cultural inheritance. This piece reminds us that in an age dominated by technological rationality, rituals once deemed ancient are, in fact, essential links that sustain the continuity of the human spirit. When we learn to revere tradition as a ceramist reveres clay and to embrace life’s trials as fire transforms porcelain, perhaps we, too, can hear the whispers of our ancestors resonating through the silence of objects. This dialogue across millennia is the most precious revelation Ancestral Spirits offers to our contemporary world.